The K2Tog series uses vernacular photographs and the textile process of handmade knitting to examine our relationship with time, media, memory, and human connection.

The practice of creating fabrics with deconstructed photographs is my attempt to find answers to questions such as:
At what point does a personal photograph lose its ‘container-ness’, its ability to be the carrier for and attachment to a specific moment in time?
Does altering the physical format of the photograph also alter its original intent, and if yes, how so?
And is it possible for the emotions preserved and represented by these photographs to remain connected to our experience of the present while their subjects recede into anonymity?